Drawing of the different stages of processing timber

Growing the value of homegrown timber

To address the urgent need for a carbon neutral and economically regenerative future, how we manage woodland systems and value timber desperately needs rethinking. CAT graduate Jemma Ho explores inclusive, holistic and regenerative actions to sustain and develop the use of homegrown timber.

Jemma Ho
Jemma Ho

The area of woodland in the UK is estimated to be 3.25 million hectares – 13% of the total land area. Forest Research breaks this down as 19% in Scotland, 15% in Wales, 10% in England, and 9% in Northern Ireland.

In Wales, two thirds of woodland is on privately owned land, while only a third is publicly owned by the Welsh Government and managed by Natural Resources Wales. This means a large proportion of Welsh woodlands are at risk of being fragmentally managed for wildlife conservation, biodiversity significance, and mitigation of diseases and invasive species. As a result of this fragmentation and a lack of holistic due diligence across the construction industry, the maintenance of a secure supply of homegrown timber for construction is at risk. Today, the UK imports 80% of its timber for the construction industry, making it the second largest net importer of timber in the world.

Delving into woodlands

To discover how the timber supply chain operates, I toured nurseries, woodlands and sawmills. I studied structural timber joinery at the Centre for Advanced Timber Technology. And I enrolled on a 12-week short-course in Timber Technology and Engineering Design for built environment professionals at the New Model Institute for Technology and Engineering (NMITE) in Herefordshire.

Through interviews with experienced ‘ground workers’, working with trees from the seed, through to plantation, all the way to felling and grading the tree for timber, I discovered that millions of UK-grown seedlings go unplanted simply because there isn’t a big enough workforce to plant them in the appropriate weather season. One operator at a nursery commented that there is a lack of government investment or subsidies in innovative forestry equipment to plant, maintain and grow trees to what is deemed as maturity.

I also interviewed several millers across Welsh sawmills, ranging from mainstream commercial operations to small cooperatives, and discovered that while various species of trees are measured and graded as to their appropriateness for construction, tonnes of tree thinnings go onto a “pile of waste” or are sold as firewood.

The UK can’t afford to keep throwing away these natural and precious resources. Woodland systems, land ownership, skills training, and innovation in timber development and its uses all urgently need collaborative rethinking.

Wood thinnings

Space to rethink timber

The findings from both my Master’s research and timber short course were steered not only by my interests in carpentry since a young age, but also from an awareness that in the last century the UK construction industry has been heavily influenced by steel production. This makes a major contribution to the overall impact of the built environment, emitting around 40% of greenhouse gases (GHGs). But this doesn’t have to be the way. It’s time to shift building in a more sustainable direction, where bio-based resources can be used in a regenerative way for the good of both communities and the planet.

In my final year of study on the M.Arch Sustainable Architecture programme at CAT, I was able to develop a project that responds to and reinforces the role of architectural design within the environmental debate. My proposal titled ‘Wood Culture Wales’ is a public centre that provides interdisciplinary learning environments and practical facilities, addressing the fragmentation and inconsistencies in the Welsh and UK timber industries. The aim is to catalyse activities across the timber production cycle that reduce our reliance on imports, boost skills, promote economic growth, and develop a truly sustainable future for Welsh timber production.

A new future for a derelict factory

My final design project includes a design proposal to uplift the derelict Wern Works factory in Briton Ferry, Southwest Wales, which was previously used for aluminium sheet rolling for British Airways Concorde jets, bringing significant economic benefit to this small Welsh town.

The theoretical scheme proposes celebrating and repurposing this historic building, reviving the existing heavyweight industrial steel frame, while ensuring minimal impact to the existing context by introducing innovative hybrid, reused and new-build construction strategies.

Wern Works Factory-Design by Jemma Ho

The four new-builds and two hybrid interconnected buildings aim to exemplify ways of using timber as a construction material – ranging from traditional timber frame, modern mass timber construction, and lightweight timber frame structures to adaptive reuse of other conventional construction materials. It’s a 21st century approach to industrial production and sustainable regeneration.

The project is driven by the development of six strategic concepts:

  1. Uplift the economic context
  2. Address forestry decline
  3. Increase woodland creation and biodiversity
  4. Innovate with waste
  5. Catalyse timber craftsmanship
  6. Develop and sustain a wood culture for Wales

Key spaces include:

  • Three interconnected passively climate-controlled greenhouses to act as a living exhibition on how our trees could behave in future climates
  • Makers’ gallery with hireable studios
  • Conference centre, break-out spaces, nursery and accommodation
  • Cabinet makers’ wood workshop, for adults and children
  • Specialist boat-making workshop
  • Visitor building for leisure activities, including a café and orientation gallery
  • Outdoor exhibition space for various timber interventions
  • Sawmill facilities (for local milling services)
  • Reclamation yard for timber offcuts and exchange
FDP Visual by Jemma Ho

Each building serves various user groups, ranging from young children to experienced professionals in the construction, timber and forestry industries to create a holistic knowledge-sharing environment.

The aim of this project is to advocate for urgent innovative actions within current Welsh supply chains to increase the industrial value of timber by creating a holistically streamlined supply of structural timber and better use of the ‘waste’ byproducts of production.

Greenhouse model - made by Jemma Ho

The Wood Culture Wales project highlights the pressing need to act now to use the knowledge our timber industries have to drive the development of lowercarbon construction materials. Timber is a resource that not only captures carbon but also creates greener jobs for future generations.

About the author

Jemma Ho is a graduate from CAT’s 2022– 24 Masters of Sustainable Architecture programme. She is an Architectural Designer at Architype, the UK’s leading architecture firm for sustainable buildings, primarily in the education and healthcare sectors.

In 2025, Jemma was recognised in The Architects’ Journal’s AJ100 Emerging New Talent list, recognising her rising influence within UK architecture. She is passionate about promoting the use of timber in construction.

Find out more about our M.Arch in Sustainable Architecture

Find out more about our M.Arch in Sustainable Architecture by looking at the programme description or by joining an upcoming open day.